Everybody's a Rocker
I was really young when I got into rock n' roll. Been in bands. Lots of them. One of them was called "Happy Frosted" - I know, it's so lame it hurts - and we only recorded one song, "Strange state of sleep", in my guitar player's basement. I also did a solo project called the New Wave Cocksuckers, punk / folk with absurd lyrics. I recorded over 20 "albums" using audio tape recorders and adding new layers of sound with every instrument I would add. The sound was deteriorating with each layer but I did it alone ! My favorite (and probably best) album was lost. Dunno who has it, if it still exists, cuz sadly there was only one copy.
I also had a "country music" project with Penny Perry, aka the weirdo who keeps on moving from town to town and who was last seen at a Kino evening in Quebec City. His artist name is now Fred Jenkins and he is a video director. Our project was called Henry Labutt - he was Henry, the singer, and I was Billy-Bob Grantfuck. I also launched a few solo albums. We recorded three live albums : "Live at the Falls", by the Shawinigan Falls in a small creek, and the sound of the falls covers almost everything we recorded, another one in front of a campfire with friends, and another one, that was rather electrical, in front of a frenzied audience at one of the Troustock editions.
I have to explain everything, don't I ? Trouland is a small, independent land by the St-Maurice river, snatched between Shawinigan & Grand-Mère. A dangerous dirt track leads to it, and its mayor is Patrick St-Hilaire, who also was a performer at the time. I kinda forgot what his name was, but his "greatest hit" was a recording of his father telling a joke and singing and old folkloric anthem. As the mayor, he decided to organise an annual fest, that would last all day, called Troustock. I performed as the New Wave Cocksuckers the first two years, and with my band Les Ratés the third one.
I also shared a few bands with Crapman Sacremento, a very well know performer who is still struggling to expand "Musique Domestique" and make it a popular genre. More on that later. Crapman, Penny Perry & I had a "supergroup", the Psychedelic Fruitmen, with real live bass (often played by me) that rendered the songs quite groovy. I also played keyboards.
I wrote the lyrics to most of these songs, and even wrote complete albums for Sacremento & Perry. I was hyper-active, as I've always been, and felt a need to bring all of this creative musical energy to the front of the scene. It sure was fun laying out cassettes by the pound and sharing our chaos together, but I needed to start a real band. So I started talking serious business with drunken punks & rockers I would meet in rock bars, in downtown Shawinigan and seedy Grand-Mère.
I met Philippe St-Onge and he took me seriously. He found us a drummer, a guy we called Alain Bécil - I know it wasn't his real name, but I have forgotten over the years. Alain had a garage that his parents weren't using, so we started jamming in there. We had to come up with a concept, because there were lots of shit bands going around and we had to be special. We found ourselves some names to match Alain's. St-Onge would be Mr. Bation and play bass, and I'd be Nelson Ovabitch, rythm guitar, vocals & songwriting.
At first I wanted us to be called Les Pédophiles. It had to be a name that started with "Les", and coincidentally, Alain Bécil was dating a chick that wasn't quite major. He didn't like the idea and threatened to disband. As we rockers know, the most difficult member of a band to find is usually the drummer; it takes dedication, rythm and, most importantly, a drum kit, to be one. So we bent and we called ourselves Les Ratés, which translates to "The Fuck-Ups". We had some basic rules : we were to write songs about our hometown, those who populated it, and booze, cars & chicks. We'd never play the same venue twice because we'd get kicked out before the end of our set. We'd never play with the same bands because everybody would hate us.
We almost accomplished that, and the only place we played not only twice, but three times, was Café Chaos, when it was still located on the lower strip of St-Denis. I would drink the bar - the only pay we'd ever get - and become really annoying. I'd make loud jokes about the waitresses while we played, and attempt to destroy other band's equipment in a drunken stupor. The cherry on top of every cake was when we played "A poil la compagnie", a song about gettin' your clothes off to cheer people up. I'd slowly start taking my shirt off, and then my pants, and I often finished the song with my pants around my heels, swingin' my cock in the air. There's a picture floating around on the net, somewhere... taken at Troustock ! I even did my little trick at Shawinigan's Bar Campus, when we played an all-ages show with Overbass. We sold more demos than them this day. I guess you can say the cock pays.
I was living in Laval at the time, and every time we needed to practice, play live or rehearse new songs, I'd have to go down, hitch hiking to Shawinigan. I got tired. We were on the verge of recording a kick-ass album when we split. It was raw, rock n' roll and dirty sounding. A friend of us had this studio, on the second floor of his dad's garage - which goes to prove everything goes down in the garage, when revolving around rock - and we did a few sessions there. He was our "producer".
I liked the band, the chemistry, the songs... but there was no way I was going to live half my life in a town like Shawinigan. Mr. Bation & I were starting to experience some "creative discrepancies" - he wanted more punk, and I wanted less; he wanted to sing on some songs, and nobody wanted that... I called it quits.
St-Onge, if you ever read this, gimme a shout out. I wanna know what's going on with ya... and my amplifier !
We recorded a demo in '98, called "Ça va mal à Couche-Ville". We included our phone numbers and sold it in a few placed, including Oblique. Once, I was watching a movie with my mom, and the phone rang. Two giddy guys were on the end of the line, and asked if I was Nelson Ovabitch. "Well yeah", I said. They said they really liked what we did, bursted out laughing, and hung up.
I'll never know if they were being sincere, or just high on pot.